Nature has been celebrated so much through art, photography, poetry and other literature that many people see that it is a norm to associate nature and beauty. These artists use their talent to reveal the interpersonal connection that they have with nature.
Towards the end of the 18th century, Romanticism arose as an intellectual movement in reaction to the Industrial Revolution, which focused on the scientific reasoning of nature. Romanticists believed in nature as a foundation of celestial emotions and thoughts that brought about a sense of peace, tranquility, and renewal, instead of the unnatural feelings and visions depicted by the new technologically advanced world. This revolt ...view middle of the document...
To the Romantics, the Industrial Revolution is what created all of these responsibilities and obligations in the first place. Civilization and new technological advances began to hinder nature’s ability to provide a peaceful environment.
Critic Floyd Watkins suggests that, “This poem hardly defines the attempt to communicate with the ultimate; but much of its beauty derives from the concreteness with which Frost embodies the mysteriousness of the ultimate in the dark beauty of a silent natural world.” This “silent, natural world” that Watkins speaks of confirms that nature can be a calm, soothing force that serves as an escape from everyday life. The speaker in Stopping by Woods on a Snowy Evening is on a journey and although he has many “promises to keep” and many miles to go before he reaches his destination, he is enticed into stopping in the woods that are “lovely, dark, and deep” to embrace the beauty of the feathery snowflakes that are falling. The speaker clearly has an unobjectionable attitude in relation to nature. His tolerable mind-set is what allows him to welcome nature’s production of a serene and relaxing environment that grants him the opportunity to take his mind off of the responsibilities that he must carry out.
The woods are a symbol for a liberation from the pressures the man longs to escape. In his journal “From Woods to Stars: A Pattern of Imagery in Robert Frost's Poetry,” critic Ogilvie refers to the woods as, “a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations.” He also mentions that both worlds have a claim on the speaker. A symbiotic relationship and synchronization with nature is evident through the silence and procrastination of the speaker; seeing how he longs to stay in the woods, but he knows that he must go.
On the other hand, The Open Boat by Stephen Crane is a prime example of the results we get when we fail to keep in mind the unintentional complexity of nature. Crane displays to his readers a world that is totally undisturbed by its relationship with humanity; it is an unsympathetic world in which man struggles to survive. The characters in the story face this triviality head- on and soon become overwhelmed. Their determination and cooperation are the only things that help them to survive.
In this short story four men are trying their hardest to make it to shore, away from the taunting sea that eventually capsizes their boat; but nature continues in its ways with no regard to care for the lives of the men. In the midst of everything happening around them, the men are convinced that they are isolated from nature, but somehow they still feel as though their destinies are controlled by fate as they cry out in unison, "If I am going to be drowned--if I am...